Our DCU Retcon

Geoff Johns, now DC’s Chief Creative Officer, has expended a considerable amount of time and effort restoring the DCU to what he remembers and loved as a kid.  And good for him!  He did the work, came up through the ranks, excelled at his craft, and wound up in a position to guide DC to what he likes best.  However, it does open the door for every other fan and DC-lover to do the same thing.  When we (inevitably!) become the CCO we’ll do the same thing.  As a sneak peak, here’s a preview of the things we’ll do to restore DC to what we remember as kids.

See, I didn’t start reading DC books until ’92 or ’93 with the death and return of Superman. There actually aren’t many good memories of DC when I was a kid to which I’d want to return, but there are somethings I’d do responsibly with my great power.

  • Flashpoint/ DCnU was all a dream. The Psycho-Pirate awakens from it to find he’s still in a padded cell within Arkham. ANNNnnnndd….
  • Barry’s dead. It’s nothing personal, Bowtie, but your death was the best thing about you story-wise. We’ll pick up with Wally again sometime after Waid’s phenomenal arc, “The Return of Barry Allen.” I like my heroes full formed rather than whining about the burden of legacy and self-doubt. Also, what’s wrong with guys with gadgets? Captain Cold’s powers are now natural? WTF?!? Instead of being inspired by the cool Icicle, he’s inspired by the douchy Johnsian Icicle, Jr.? Come one Manapul! I’d have a moritorium on the use of Captain Cold so that he could rest from having such a horrid redo.

  • Justice League International – This has come back somewhat with the New 52, but I like the idea of a Justice League in every country.  In fact, it was SUCH a good idea that Marvel had their own take on it with the Fifty-State Initiative.  It allows for more interesting backdrops, more characters to get spotlight, and gives other areas of the DCU such a time to shine.  To this end, Max Lord isn’t a villain anymore, either.  He was such a good bureaucratic good guy, a character we just don’t ever see.  And much like the (Marvel) Sandman’s return to villainy from heroism, it doesn’t feel right.  We’ve seen too many of his inner thoughts to buy that.
  • I’d also bring back annuals. What better way to tell a few short stories, tryout new writers/ artists/, make a few bucks, throw in some nifty supplement material, and entertain the reader? If there’s something better than an annual not tied to a cross-over, I haven’t found it. To my mind, an annual is a good way to both audition talent and examine aspects of a character or character dynamics that can’t find page space in the regular book.
  • No more Rainbow Lantern Corps – There will always be Green Lanterns, that’s a given, but the rainbow Corps (Corpses?) are only diluting the brand.  First task: get rid of all but green and yellow rings.  That’s been enough for 60 years.  We’ll then pare that down to one lantern corps: Green.  Most likely, just to make my mark, I’ll keep one yellow ring and have a lone Sinestro Corps member (not Thaal Sinestro) patrol the universe serving up fear.
  • Jason Todd is dead – Nuff said.  Fuck that guy

  • As a basic concept/ look, I’ve always been drawn to Hawkman. As a character…or convoluted series of characters… not so much. As Assistant CCO of DC, All of Hawkman’s origins go bye-bye. He’s not the reincarnation of an Egyptian prince, he’s not an alien. He’s not an avatar for some Hawk-god. He’s not even an amalgamation of those ideas. He’s just a shirtless guy with wings and a cool helmet that likes to beat the tar out of criminals with a mace…and he’s been around a long time. A non-origin worked for Wolverine for over twenty years. Why does Hawkman have to be from somewhere? He simply is. Done.
  • Marvel Crossovers – The Marvel/DC crossovers may not have always been great, but they’ve always been fun.  When I’m in the CCO seat the Marvel relationship will be repaired and task one will be getting the Batman/Daredevil crossover going.  I’m sure Bendis and Maleev are still up for it.  I think I’ll ditch the Amalgam concept, though.
  • Guy Gardner: Sexist Pig – Guy Gardner was always an ass, but for no discernible reason (other than spite).  Since taking the reins on Green Lantern, Johns has toned down that attitude considerably, and just made it a result of Gardner’s enthusiasm for the job.  We’re going back to the sexist braggart we all loved to hate.  But don’t worry: if you don’t like this particular take where there’s Jerk Guy Gardner, Earnest Guy Gardner is also lurking.  By Giffen and DeMatteis, if they’re willing.
  • When was the last time the Martian Manhunter actually hunted “men”? You need somebody found? Go see J’onn J’onnz. Yeah, we’re bringing that shit back.
  • No Superboy – I hopped on just after Crisis happened, when Clark Kent became Superman as an adult.  This was also before Reign of the Supermen, when DC just wanted to expand the brand.  While the Silver Age had some great stories, I think they’re silly for modern continuity.  And there have been dome decent Connor Kent stories, the whole thing seems like emo Superman.  So let’s just go back to that blissful period without a Superboy.

  • No Guardians – Those little blue guys are asses, and much like Matt’s feelings toward Professor X, I don’t think I’ve ever read a good story with them.
  • I’ve mentioned this before, but maybe someone will listen if I say it often enough. Captain Marvel and company need their own universe to play around in. It’s got to be a more timeless place. A modern setting doesn’t work, and being forced into a universe where dark psychotic killers exist turns Cap into drab generic punch’em-up kind of guy. A kid that turns into a grown up when he/ she utters a magic word is an idea that appeals to pre-teens because of its silliness and it’s wish fulfillment. A Captain Marvel book needs to be written with the same sensibility as Spongebob Squarepants or a Tex Avery cartoon. Silly and strange should be the order of the day when it comes to Captain Marvel.
  • Tim Drake: Robin – The current Robin situation is a huge mess.  Damian Wayne makes for a few good Morrison stories, but I’ve never liked the idea of Son of Batman, and it would take a huge reset button to put him back.  Honestly, I don’t know why DC didn’t do that in 2011.  Tim Drake was the right Robin for his time.  Rather than an acrobat, a physical character, he was something of a hacker, which played to Batman’s detective side and had to work EXTREMELY hard for his physical development.  And he was all planning, no impulse, which put him at odds with Jason Todd (seriously, fuck that guy).  Meanwhile, it feels like he was shoehorned into the Red Robin role because no one wanted to get rid of him but nobody knew what to do with him.  Put him back in the Robin suit and let’s get Damian back to being a digression.
  • Only Batman and Superman have multiple titles – It seems like only Superman and Batman can truly support more than one title.  Not Green Lantern, Aquaman, or Flash.  Let’s not dilute the brand, DC.  Focus your best talent on the top titles.  There don’t need to be 4 Lantern-related books on the stand each month.
  • One thing I’d keep that Johns and co. are doing right is the re-introduction of the anthology title or titles with rotating foci. While every hero or team is someone’s favorite, not all characters can support their own title. The New 52’s DC Universe Presents is an opportunity to… dare I say it… showcase characters and stories of this nature. But, why not do more? Bring back Mystery in Space and cast a wider net. Give the fans their Space Cabby, ULTRA, The Multi-Alien, Adam Strange, and others. What about a House of Mystery or a similar title for darker/ magical characters? Not only would I shuffle characters, I’d shuffle creators often. I’d use anthologies as an incentive to bring over and keep creative talent. It’s an opportunity for creators of on-going titles as well as new talent to play with more toys from the box. The only stricture would be to stay away from characters that currently have their own title.
  • Elseworlds – Placing familiar heroes in unfamiliar settings is a GREAT idea and produced some amazing stories.  Books Holy Terror, Red Son, and The Nail were both interesting takes on our heroes and took their concepts to the core so we could really examine what makes them strong.  In fact, it was such a good idea that it was the theme for an entire year of annuals.  Let’s see some more.

Game Tape…late edition.

Comics were late this week, in the end that’s okay. There isn’t much to write about this week. Actually, there’s only one book I picked up upon which I feel compelled to comment. Fantastic Four, Wolverine and the X-Men, Resurrection Man, and Frankenstein Agent of S.H.A.D.E. were all pretty much at their standard.

On a whim I picked up X-Men: Season One. I’m a sucker for stories with the first class, and I’m always curious how creative teams update the origin of Marvel’s Merry Mutants. This iteration was a pleasant surprise. Essentially, this isn’t the story of how the X-Men came the X-Mansion and fought Magneto. Instead, this one off tells how the five young mutants gelled into a team and a family. The story was well told through the view point of Jean Grey. Best of all, it cohesively weaves the story into key events of the first eighteen issues of the 1963 series. This is an excellent story that recounts the early days and covers events that fell into the gutters the first time around. Kudos to Dennis Hopeless for telling such an old and familiar story in a new and enjoyable fashion.

At the $24 price for a hardback book, it’s worth it. If the price gives you pause, wait for the inevitable soft cover version. You can thank me later.

Vulture… SECRETS!

I'm related to several signers of the Declaration of Independence.

secret…

I my day when you robbed a bank or a jewelery store, you said "please" and "thank you" to the tellers.

Secret…

"Tapioca pudding" is nursing home slang for an octogenarian hook-up.

Secret…

I don't get the attraction of May Parker. Otto tried to explain it once...

SECRET…

These days I'm only robbing banks to keep up my pledge to PBS.

SECRETS!!!

 

This Week’s Comics

This is what I like to see, a bunch of new comics that don’t just focus on superheroes or Big-Two properties.  It’s going to be a good week!  Here are this week’s noteworthy titles.

  • ADVENTURE TIME #2 – While I stand by my review of issue #1, Matt makes some excellent points about this title, as he does so frequently.  Specifically,I agree that the focus should be on done-in-one stories.  Still, I enjoyed it a great deal and am psyched for the new issue.
  • FANTASTIC FOUR #604 – Good news: Marvel isn’t releasing this the same week as FF.  Bad news: the cover price has been jacked up to $3.99, which means it’s getting dropped.  That’s a real shame, since I’m just starting to get current.
  • GLORY #24 – A bit of Promethea-lite (but without all the Magick and funnier), the Extreme relaunch is still going strong.
  • MARK TWAIN TALES OF MYSTERY HC – I mention this new IDW release for Matt, who’s notrious for liking his mysteries Twainy.
  • PUNISHER #9
  • SAGA #1 – A new creator-owned title by Brian K. Vaughn, who’s been sorely missed recently.  Truth be told, I don’t really know what this is going to be about, I just want to be on-board based on the creators.

  • SAUCER COUNTRY #1 – See the above, but replace BKV with Paul Cornell.
  • THIEF OF THIEVES #2

I feel like Jonathan Hickman is re-embracing his creator-owned indie roots.  With the news that he’s leaving both Fantastic Four and FF after a truly epic run, Manhattan Projects seems poised to fill the void.  Like a Warren Ellis comic, it’s full of dark science, big ideas, and life-or-death action.  Also — at least in the first issue — like a Warren Ellis comic it’s somewhat sterile, and full of scientific madness, but not a lot of characterization yet. There’s a good start with Oppenheimer, and Hickman appears set to recreate the Reed Richards/Victor Von Doom dynamic which I hope it is built upon, but the family aspect of both FF books are what kept it grounded and such fun to read.  With those, Hickman was able to rely on our previous familiarity with the characters and improve upon it.  With Manhattan, he has to invent that from scratch.  I have no doubt he will, and I understand there’s only so much room in a first issue, but that’s what will have to happen to take this from a good book to a great book.

The big surprise of last week was the TMNT Micro-Series Donatello one-shot.  A solid, fun story featuring the brainiest of the group, it was a nice look at how Donatello tries to relate to his three brothers and how isolated he is.  While Bryan Lynch’s writing was solid and fun to read, the art by Valerio Schiti was amazing.  Well-detailed, with expressive faces and plenty to look at each panel, I was really surprised at how well-drawn it was.  Not that I’ve had problems with artwork on any of the previous issues, but it’s generally been a more sketchy house style.  Schiti was like a breath of fresh air.

I confess I bought Hell Yeah based on some pre-release hype (and a nice Dave Gibbons-lite cover), but I was more or less pleased that I did.  In a world where superheroes only started to emerge about 20 years ago, they’re treated like gifted students and carefully raised.  Our main character has powers, but isn’t quite sure what to do with them, and has to figure that out along with everything else that has to go along with being 16.  He’s not a villain, but he’s not a hero yet, either.  It’s a nice bit of character examination that has him asking important questions about how you  become the person you will be, and yet never descends into cliche.  The art by Andre Szymanowicz is nice enough, but the characters are stilted enough there still seems to be room for growth.  The layouts are excellent, though, and the backgrounds and environments are well drawn.  Joe Keatinge’s script has me curious where this is going but, much like I’ve been railing about perpetual mysteries in other titles, I wish more #1 issues had more of a mission statement for where the book was heading.  I feel like more and more first issues read like they’re the second or third.  Oh, and Image?  The scanning on the first few pages was abysmal.

That’s it for this week.  What looks good to you?

Did you know…a LIST

At this point Wolverine appears somewhere within every issue of every title that Marvel publishes. You’d think there would be no secrets left for faithful or inquisitive readers to uncover. Yet we here at LEMUR have found several that might surprise and astound you. To wit, we present: Little Known Wolverine Factoids.

Wolverine’s shoe size is a 4.

Wolverine is on Team Edward stating,"He's just so sparkly!"

Children in Canada leave their leather belts by the fireplace on the 19th of November in hopes that Ol’ Canucklehead (Papa Canuck in Quebec) will use them to sharpen his claws. Thus pleased, tradition states that Ol’ Canucklehead leaves either smokes, donuts, bacon, or brews behind for those deserving children.

Encyclopedia Brown solved the mystery of Wolverine’s adamantium skeleton.

Wolverine is so tolerant of Spider-Man because he feels guilty for once feeling-up Aunt May.

Wolverine sleeps in footie pajamas when he’s alone in bed.

Wolverine thinks he’s Edith Head.

Go-Gurt: Wolverine’s favorite on-the-go after-school snack.

Wolverine is the only X-Man who needs a booster seat in the Blackbird.

Wolverine is pretty sure they come in the night and steal things from his room.

Son of Game Tape

…ANNNNNDD we’re back.

Comics were purchased. Stories were told. The dust has settled and now it’s time to review the game tape to judge how the week went.

KABOOM's Adventure Time #1 (second print)

This first review will echo several of the excellent points that Jesse noticed in his review, but we came away from the book with two different feelings. This time I’m wearing the grumpy pants.

How is it that a cartoon series that tells stories in 12 minute chunks can’t seem to do the same in a comic book? I’m looking at you Adventure Time with Fin and Jake. I love this property; the cartoon is easily the smartest, weirdest, and funniest show on television. However, I was reticent to pick up the comic book for fear that it might not work in a static form. KABOOM’s new book (I picked up the second print this week) translates that weirdness very well. Ryan North and company also manage to translate the show’s hyperactive pace and kinetic feel well through page and panel layouts; it’s rare to see a page with more than four panels. The art in the main story mimics the cartoon well, down to the little details hidden in the back ground. The back-up story’s art is more stylized, looking as though it were painted by Vincent van Gogh. It’s bright and vibrant with a contrasting texture that the main story’s cartoon art won’t have. One other thing that was impressive was the little messages in the bottom-most gutter of many of the pages. This was something that I loved in Bob Burden’s Gumby. It’s nice to see that here in what is a successor to the surreality of Gumby.

At the end of the day, this is not something I’m going to pick up regularly. As I said earlier, I strongly disapprove of the fact that the main story in the book was not a done-in-one. Younger readers are going to be lost by this approach because a whole 30 days will pass before the second part comes out. That’s a friggin’ eternity and any number of other things have attracted their attention and money in the mean time. Heck, I’m in my 30’s and there are some books written for trades that I have a hard time keeping up with because the last issue was uninteresting middle.I appreciate the perceived need to keep the kids coming back to a comic based on a show, but I know that the same goal could have been achieved with a book that offers a similar experience to the show without replicating it exactly.

On a side note, why isn’t anyone replicating the successful digest model that has worked so well for Archie?

DC Comics' Action Comics (vol 2) #7

Action Comics (vol. 2) #7 is as good as it’s ever been, and after two woefully lackluster (filler?) issues this is a welcome relief. I’m not sure why the Collector story was so interrupted with trips both to the past and the future, but now that we’re back on track things are picking up and we’re getting a strong and fun story. Morrison’s reinvention of Superman and the world of Superman through Action is generally enjoyable. This issue especially. There’s great interplay between Luthor and…everyone really. We see less of Clark and more of Superman in this issue than we have in the past. Also, to his credit, Morrison also found a way to naturally introduce Superman’s actual costume into the story. I was reminded this month of why I read Action Comics first when it comes out.

 

Another book that I’m enjoying more in its newest volume is The Lone Ranger. After is nigh interminable origin volume in which the Ranger chases down Butch Cavendish, something new: shorter stories. Issues 1 & 2 were both fantastic in terms of telling western tales without being generic. This month’s issue #3 is starting a two issue arc that proved to be quite entertaining, and it provided a solid story with a cliff hanger at the end. Well done.

Finally, I really enjoyed Jonathan Hickman and Nick Pitarra’s Manhattan Projects #1. World War II, and the Manhattan Project specifically, is my favorite time period to read about. Hickman’s alternate history presents the historical players is a skewed and fantastically engaging light. From it’s hyper-science and portrayal of Einstein as a violent psychopath to it’s blending of zen

Manhattan Projects #1 published by Image Comics.

meditation, magic, and science, this is going to be a great ride. Pitarra’s art is easy to read. His style is the love child of Frank Quietly and Geof Darrow. It is fun, it fits well with this story, and the characters resemble their historical counterparts without being photo reference. 30 days can’t pass quickly enough.

In Brief

This week Kieron Gillen wrapped up his second arc in Uncanny X-Men (vol. 2). While the itself is essentially cribbed from Star Trek: The Next Generation, what makes the story enjoyable is the character interaction and the sharp dialogue.

G.I. JOE continues boldly with its new Cobra Commander. Although they’ve been three steps behind for a while, this issue shows a hint that a turning point is ahead. The rally inning is near…finally.

Jazz — Secrets!

I got my name from the greatest musician of all time: DJ Jazzy Jeff

Secrets!

People don't understand that I'm not wearing sunglasses, I ONLY HAVE ONE WEIRD-SHAPED EYE!

Secrets!

What's big, white, and looks like a bitch? Leader-1!

Secrets!

I wrote all the music I played in the old show. I gots that shit bumpin'!

Secrets!

Man, after that whole Unicron business, I never got seen again. They apparently wanted to go in "another creative direction."

SECRETS!!!

Tomorrow’s Comics

Alright, it’s Monday, so that means…Ah, yes.  Sorry for the delay, but this week’s This Week’s Comics was pushed back due to some travel plans.  Let’s look at this week’s new and noteworthy titles.

  • FATALE #3 – Truly, I’ve been enjoying Fatale, but I just can’t keep track of what’s going on from month to month.  Jess Nevins’ detailed notes in the backmatter are good, but not enough to keep me reading the monthly.  From here on out I move to the trade.  See you in 4 months, Brubaker and Philips!
  • HONEY BADGER ADVENTURES #1 – I’m not sure if this is about the creature or the football player, but either way, if I can find it I’ll pick it up.  Because both are awesome.

OR…

  • HULK #49 – Much like with Thunderbolts, the increasing frequency is leading to diminishing returns.  I may not be on-board too much longer.
  • MANHATTAN PROJECTS #1 – New Jonathan Hickman creator-owned!  Huzzah!
  • VENOM #14 – Wow, finally a non-point issue!  And potentially the place to hop off so I can get caught up, then decide to continue.
  • VILLAINS FOR HIRE #4 (OF 4)

A brief week, but that’s it.  What looks good to you?