Weekly comics reviews are moving to Saturday mornings starting this week.
In honor of the move, the weekly review feature is getting a new name and a new look.
The Muppets #1 story and art by Roger Langridge; published by Disney Comics (a Marvel imprint). As Jesse mentioned earlier in the week, this is a story fans have been waiting for and worrying about. When BOOM! ended the series, shortly after Marvel was purchased by Disney, this (second to)last arc’s future was uncertain. Disney had already reprinted three of Langridge’s arcs in a large magazine format, and they promised Four Seasons would be on its way. The wait is finally over this week with Spring. True to the other arcs, it essentially follows the format of the television show: the back-stage story is broken up with on-stage acts in between. This particular issue celebrates spring with a love story between animal and a dancing gorilla. Like the previous issues and the current running Snarked!, the “musical” acts are poems made up by Langridge. Story and art-wise this issue is of the same high quality as the previous arcs.
I did have two problems on the production end. The first is that we’re deprived of the original Langridge cover. In its stead we are given something less than satisfactory…almost…cute and cuddly. I’ll put both covers below in the cover section. The second problem is with the coloring. Kawaii Creative Studio is credited, and they should be ashamed. Outside of Fozzie not being the same color from page to page, the Pigs in Space uniforms are inexplicably red. RED? You see that Piggy’s skirt is also colored blue. The costume ends up looking more like one of those cheap Wonder Woman knock-off costumes. The last problem is that Statler’s suit appears grey/navy (as it should) in the first half of the book, but changes to a brown to match Waldorf’s in the latter half. This book appears to have been made piece-meal by a committee of people from around the world without any quality assurance. I’d have thought Disney might be a little more careful.
Wolverine and the X-Men #13 story by Jason Aaron; art by Nick Bradshaw(p/i), Walden Wong(i), and Cam Smith(i); published by Marvel Comics. Ugh. This issue gives us the back story of the Warbird assigned to protect Gladiator’s son while at Wolverine’s school. It’s really boring to read as all manner of interesting things appear to be going on in the background. Why aren’t we getting a view of what the students are doing/ feeling during all of this Phoenix foolishness? Again I say,”Ugh.”
Saucer Country #5 story by Paul Cornell; art Ryan Kelly; published by Vertigo (a DC imprint). After reading Jesse’s description of issue #1 some time ago, I decided to add it to my list. What’s not to like about the concept: popular and influential politician has encounters with UFO’s, decides to run for president, and conspiracy ensues. The problem is that there are two way to go with this concept. The fast paced exciting and interesting path or the slow plodding path. That Cornell is taking the second path sucks the life out of the book. This isn’t even story decompression. I read these issues and it feels like nothing has happened of interest. There is a story, but it’s pretty dull… I don’t know where this is coming from because I liked Cornell’s work on Action Comics and Captain Britain and MI-13. This is lacking his punchy dialogue and well developed characters.
CHEW: Secret Agent Poyo #1 story by John Layman; art by Rob Guillory; published by Image Comics. I’m working on a review for CHEW that will see the light of day next week, but for now you will have to be satisfied with a review of a one-shot. For those not in the know, Poyo is a rooster whose famed for his cockfighting skills. Not that the world of CHEW is a serious one or one with a firm basis in our reality, but this one-shot devoted to a rooster pushes the boundaries of plausibility within the world that Layman and Guillory have created. Still, it’s a helluva lot of fun. It’s got everything you never realized you wanted or needed in a comic book: a homicidal cybernetic rooster; farm animals as precipitation, a battle against the hordes of Hell itself. It’s a fun book and it doesn’t really require a working knowledge of the main book to enjoy. If you liked Hitmonkey, but felt it a little too serious, this is the comic for you.
THIS WEEK’S COVERS